On an evening like any other, on a night that feels too short for the many adventures it could hold, on a night when darkness unsettles children with its presence that dictates sleep, the three siblings—Wendy, John, and Michael—set out on an adventure unlike any other: they will take the Moon down from the sky. How?! Just as Peter taught them: they will dream of what they truly desire and fly toward the Moon, seize it, and carry it away to hide it in the Neverland, the Land Without Time.

Within a “raw” set design—symbolic and abstract in its outlines, like a child’s precise drawing unfold stage pictures that are at once enigmatic and playful, profound and dreamlike. In this setting, where fantastical and realistic worlds coexist, the scenes come alive with hyper-realistic puppets that fly and gaze sharply, as only children can, alongside fantastical masks and games of light and reflection. Peter Pan becomes a space of perceptions, resonances, and reconstructions—a prism of adventures, gestures, and colors.